The said dance is a unique characteristic highlighting its communicative movement with the execution of trunk bending forward, tapping partners “bislak” before bending knees to kneel, and tiny steps while forming dance formations. - BINISLAKAN, is known for its dramatic use of bamboo poles, which are clapped in rhythmic patterns as dancers gracefully step in and out of them. The dance is often based on an episode from the Maranao epic Darangen. - SINGKIL, comes from the Maranao word sagay, meaning to prepare for battle. - SAGAYAN, usually performed by fishermen to celebrate a good catch. The lamps are placed in cloths or nets and swung around. - PANDANGGO OASIWAS, literally meaning “fetching with a bamboo tube”. - SAUT SA RARUG, a folk dance that mirrors the behavior of the crab. - INALIMANGO, a folk dance that mimic the movement of tikling birds. - TINIKLING, a traditional folk dance of the Tausug people of the Sulu Archipelago in Mindanao, Philippines. Means “to dance” in Tausug. It is sometimes called the “fingernail dance.” - PANGALAY, The dance shows the cooperation among family members: the father plows the field, the mother carries a basket or looks after the baby, and the children help with farm chores. - IDUDU, a version of the polka dance introduced by the Spaniards during the colonial period. - POLKA SA NAYON, a version of the Spanish jota, a lively dance from Spain, adapted by the people of Moncada, Tarlac. - LA JOTA MOCADEÑA, a Maranao dance that demonstrates the many ways of wearing the malong, a traditional tube-like woven cloth used by Muslim groups in Mindanao. - KAPPA MALONG MALONG, traditional Filipino folk dance that comes from the hardworking farming communities in the Visayas region, particularly Leyte. This represents this spirit of bayanihan (community cooperation) and teamwork. - TIKLOS, a dance that showcases balance and grace, as the dancer performs while balancing three glasses filled with liquid (traditionally wine): one on the head and one on each hand. - BINASUAN, The dance imitates the movements of the labong bird, showing how it moves gracefully while looking for food in the fields or swamps. - TINOLABONG, a ceremonial dance performed by the Ifugao during important community events like fiestas, harvest celebrations, weddings, or rituals to honor their gods or spirits. - TAYAW, comes from the Maranao word that means “royal walk” or “the way a lady of the royal court walks.” - KINI KINI, The dance mimics the graceful and funny movements of ducks wading, swimming, and splashing in the rice paddies and ponds. - ITIK ITIK, is a joyful and colorful folk dance from the Yakan people of Basilan, an island province in Mindanao, Philippines. Means “merry-making” or “to have fun together” in the Yakan language. - LAMI LAMIHAN, is a traditional mock-war dance that originated in Biñan, Laguna, in the Southern Tagalog region. - MAGLALATIK, a courtship dance that shows love and romance — traditionally danced by a couple who playfully flirt with each other using fans and handkerchiefs. - CARIÑOSA, The dance is performed on top of a narrow bench, about 6 inches wide and about 2–3 feet high. - SAYAW SA BANGKO, a version of the Spanish jota, a lively dance from Spain, adapted by the people of Cagayan. - LA JOTA CAGAYANA, is a royal Maranao fan dance. The word means “to flutter” or “to wave gracefully,” referring to how dancers use fans and their movements to show royal poise. - PAGAPIR, The dance imitates the movements and behavior of the woodpecker— a bird often seen hopping from tree to tree in the rice terraces of the Ifugao highlands. - TALEKTEK, a social dance influenced by the Spanish habanera — a dance and music style that originated in Cuba and spread to Spain and its colonies. It was traditionally danced at weddings and town fiestas in Botolan, Zambales. - HABANERA BOTOLEÑA, comes from the Spanish word for “pantomime,” which means acting out a story through gestures - PANTOMINA, It’s a mock-fight dance that represents friendly sparring among boys during Christmas or festive gatherings - SAKUTING, a version of the Spanish jota, a lively dance from Spain, adapted by the people of Olongapo - JOTA DE OLONGAPO, is a courtship dance that shows a man playfully pursuing a woman to win her affection. It’s considered the “dance of courtship and flirtation” in Visayan culture. - KURATSA, The dance imitates the playful courtship movements of roosters and hens — showing how roosters try to impress and win over the hens. - MANMANOK, The dance portrays Kalinga women’s daily task of fetching water from the mountain springs and rivers, balancing clay jars on their heads. - BANGA, It is a mimetic dance, which means the dancers imitate something from nature — in this case, the gentle, flickering glow of fireflies at night. - ALITAPTAP, The dance mimics the flight and hunting movements of the hawk. - BINANOG, The dance portrays a lively pursuit-courtship — where the man energetically woos the woman through fancy footwork and lively gestures, while the woman responds with playful shyness and graceful moves. - KURADANG, In the dance, a young girl scatters food or water (symbolically) to attract the attention of a datu (chief) or sultan — it’s often interpreted as a prelude dance performed before the royal Singkil. - MAG ASIK, The dance is lighthearted and fun, showing a boy trying to charm a shy girl while she playfully hides under her umbrella. - SAYAW SA PAYONG, In the dance, a pair (or sometimes a group) of dancers gracefully portray doves cooing, strutting, and playfully chasing each other during courtship. - KALAPATI, performed as a separate or featured solo focusing on the dancer’s mastery of finger and wrist movement, with special emphasis on the beauty of the metal fingernails - JANGGAY, dervived from the Tagalog word chonggo or unggo which means monkey. In this dance, the dancer imitates a monkey – its characteristics movements, gestures, grimaces. - MAKONGGO, The movements exhibited by the dancers mimick movements of fishermen scooping their nets as they try to catch fish. - PASIGIN, In Cebu, the Cebuanos come up with a dance dedicated to one organism and that is the mushroom - OHONG OHONG, literally means the way of catching shrimps. - SAGUDSUD DE MANO, This dance of lights simulates fireflies in the night by balancing lighted cups. - PANDANGGO SA ILAW, Lively festival dance introduce by the Spaniards originated in Camohaguin, Gumaca Quezon. Derived from “jota” means popular dance and” balse” means waltz. The male wears barong tagalog and black trousers and female wears Maria Clara dress. - JOTABAL, the Waray (a native of and language in Leyte) word for bamboo. During the olden times, way before the Spaniards came to the Philippines, the people in Dulag used bamboos to warn the town if there were enemies, such as pirates and tribes, who wanted to invade their lands - KARATONG, comes from two Tagalog words: “subsob” (to fall with the face down) and “bali” (bent or broken). - SUBLI, The dance shows the daily routine of the mananguete as he climbs tall coconut trees, taps the coconut blossoms, collects the sap (called tuba), and carefully makes his way down. - MANANGUETE, symbolizes youth, freshness, or the green fields — a nod to rural life and abundance. It is believed to have originated as a courtship or social dance with Spanish influence, performed during fiestas and barrio gatherings. - LA BERDE, It depicts the traditional process of beating cotton pods with sticks called batbat to separate the seeds from the cotton fibers — an essential step in making abel Iloko, the famous handwoven Ilocano cloth. - BINATBATAN,

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