NARROWING THE FOCUS - MOVING FROM THE 'BIG PICTURE' TO SOMETHING SPECIFIC, WIDENING THE FOCUS - MOVING FROM SOMETHING SPECIFIC TO THE 'BIG PICTURE', INTERNAL THOUGHTS - DESCRIPTION OF WHAT A CHARACTER IS THINKING WHICH OTHER CHARACTERS ARE NOT AWARE OF, FLASHBACK - WHEN THE FOCUS SHIFTS TO A TIME IN THE PAST, CIRCULAR STRUCTURE - WHEN THE TEXT ENDS BACK AT THE TIME, OR IDEA THAT IT STARTED WITH, DIALOGUE - CONVERSATION BETWEEN ONE OR MORE CHARACTERS, DESCRIPTION - DETAILED SECTIONS PAINTING A PICTURE OF A CHARACTER OR PLACE, CONTRAST - WHERE TWO CHARACTERS OR PLACES ARE DESCRIBED VERY DIFFERENTLY, MOTIF - AN IDEA OR OBJECT THAT APPEARS REPEATEDLY IN A TEXT, TURNING POINT - A POINT IN THE TEXT WHERE THERE IS A CHANGE OF TONE OR MOOD OR THE STORY TAKES A NEW DIRECTION, CHARACTER INTRO - A DESCRIPTION OF A CHARACTER - EITHER A VISUAL DESCRIPTION OR A DESCRIPTION OF THEIR CHARACTERISTICS, OUTSIDE AND INSIDE - WHERE A DESCRIPTION MOVES FROM AN EXTERIOR LOCATION TO INTERIOR (OR VICE VERSA), FORESHADOWING - WHERE A WRITER HINTS AT SOMETHING THAT WILL HAPPEN LATER IN THE TEXT,

Structural Features - KEY TERMS

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埋め込み

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