What are the main challenges involved in creating, promoting, and circulating comics in Brazil and in the Bahamas?, Are we creating Caribbean and Brazilian comics or culturally reskinned American comics?, Current technologies have deeply changed the way we create and read comics., Has the reception for your work help get funding for it?, Media illiteracy should be treated with the same awareness as reading & writing illiteracy. It should be made a mandatory subject in primary and high schools., School art programs do not prepare creative students well for a career as creative professionals. Discuss!, Tackling complicated issues in a comic book while keeping it entertaining is almost impossible, In the long term, AI will bring the end of comic books, Bahamian and Brazilian comic creators are still afraid to address some subjects because of religion, politics, class, race, institutional gatekeeping, or fear of social retaliation., What separates a community of talented comic creators from a functioning comics industry and where do Brazil and The Bahamas currently stand in making that transition?, Caribbean and Latin American artists are expected to continually perform their cultural identity for international audiences, while American and European artists are simply permitted to tell stories., What happens to a nations visual history when its locally produced comics are not collected, archived, taught, or preserved?

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Unit 9 comics
Unit 9 comics
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INTERVIEW: EXPLORING OUR WORLD (COMIC)
INTERVIEW: EXPLORING OUR WORLD (COMIC)
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Asking Questions: The Day the Crayons Quit
Asking Questions: The Day the Crayons Quit
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Comics
Comics
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Graphic Novel Elements
Graphic Novel Elements
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Comics
Comics
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¿Qué sabemos de historietas o cómic?
¿Qué sabemos de historietas o cómic?
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文藝復興問答題
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