When Sergio Aragones came to New York City from Mexico in 1962, he had only 20 ____ and an art portfolio ____ with his cartoons. He spoke very little English but hoped to make it as a ____ for popular magazines in the United States. Friends told Aragones that his silly style was ____ for MAD magazine. Embarrassed by his poor English, he approached a Cuban ____ named Antonio Prohias who worked for the magazine. Unfortunately, it turned out that Prohias ____ even less English than Aragones did. Still, Prohias ____ meeting another Hispanic cartoonist and passed ____ of Aragones work on to the ____. MAD's editors ____ what they saw and decided to given Aragones a try. Since he could not write ____ in English. Aragones created some ____ cartoons that did not need any ____ The editors at MAD agreed to ____ them, placing them in the margins of the ____. Aragones's "marginals" were ____ popular, although the editors suspected that Aragones would soon run out of ____. They expected him to last one or two ____ at most. For over 50 years, this energetic ____ proved the editors wrong. Aragones's cartoons ____ in all but one issue of MAD since his work first appeared in ____ 1963--and they were missing that time only ____ they were lost in the mail. Aragones's speed, ____ and consistency earned him the ____ as the world's most ____ cartoonist.

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