shot reverse shot - Two people talking will almost always feature a shot from over one persons shoulder, then the opposite shot, to show the other person's reaction, match cut - This is when a new scene carries over elements from the preceding scene. So if you have a scene of a donut in one shot, the very next scene could be of a bagel; same shape, different object. It could also be of a city skyline in the day, immediately cutting to that same skyline at night., jump cut - when there is no continuity between shots. They call them jump cuts because the shots seem to jump ahead in time during the same shot. This editing technique was mainly created to simply cut time off from a movie by eliminating needless seconds in a scene., L & J cut - these cust use sound and imagery to capture the attention of the audience. A J cut is when audio from the next scene infiltrates the current scene before we get to see where the sound is coming from. An L cut is sort of the reverse; the sound from a preceding scene is still with us as we enter the next scene. It is often used in conversation scenes to keep things interesting and less stilted., cross cut - involves showing two or more separate actions by cutting back to them one at a time. This can create the illusion of them happening all at once, or have the scenes serve as parallels of one another (regardless of when each respective scene is happening)., cuttaway - an abrupt cut from one thing to another. As the name might imply, it is meant to cut away from one thing to bring attention to another, to create tension or foreshadow the plot , dissolve - where the visuals of one scene overlapping with the visuals of the incoming one. It can be used for various purposes, such as if you want the audience to ruminate on what just happened in one scene before entering the new one. It can also be used for creating parallels or comparisons between the coming and going scenes, or if you want to allude to the passing of time., fade - similar to dissolves, they serve a much different purpose. With a fade, either to white or (most often) black,, smash cut - where one scene abruptly cuts to another for aesthetic, narrative, or emotional purpose.,

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