What was Sentila's primary ambition as she grew up?, To become a pot maker like her female ancestors, To work in the fields with her father, To become a skilled weaver like her mother, To move away from the village to the city, Why did Arenla prefer weaving for her daughter instead of pot making?, Weaving was more respected in the village council, Pot making was reserved only for the elderly, It was less physically taxing and offered better financial returns, She believed Sentila lacked the artistic talent for clay, How far was the riverbank where the grey and red clay was located?, Sixteen kilometres, Twelve kilometres, Eight kilometres, Twenty kilometres, What part of the pot-making process did Sentila describe as 'music to her ears'?, The sound of the river flowing by the clay bank, The crackling of the bamboo in the kiln fire, The regular tap of the spatula on the rotating clay, The pounding of clay inside bamboo cylinders, What difficulty did Arenla face when softening the clay?, Finding enough water to mix with the dry soil, Keeping the clay from drying out too quickly, Pounding the stubborn clay inside bamboo cylinders, Carrying the heavy cylinders to the kiln, What must be done to the pots before they are loaded onto the kiln?, A. They must be painted with grey and red dye, B. They must be soaked in the river one last time, C. They must be wrapped in cloth to maintain shape, D. They must be allowed to dry in the sun, Why did the village council summon Sentila's father, Mesoba?, To punish him for Sentila's secret visits to the potters, To demand why Arenla was not passing on her skills, To ask for help in repairing the village kiln, To congratulate him on Sentila's talent, What excuse did Mesoba give to the village elders?, Arenla had forgotten the techniques herself, They wanted Sentila to grow stronger after her illness, Sentila preferred weaving over pot making, The clay at the riverbank had run out, According to the village elders, who does the skill of pot making 'belong' to?, The individual expert who practices it, The family that discovered the clay source, No individual; it symbolises the tradition of the people, The village council and the chief, What is a critical risk during the firing of the kiln?, The bamboo cylinders might explode, Over firing or under firing can ruin the whole batch, The hay might attract animals to the kiln, The grey clay might turn into red clay.

The Pot Maker

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