Establishing Shot (ES), Provides the audience with a clear and broad view of the setting, time, and often the mood of a scene or sequence. Typically, the first shot of a new scene or location, Very Long Shot (VLS), Employed to capture extensive landscapes, establish expansive settings, or evoke a sense of isolation by distancing the subject from the audience., Long Shot (LS), Captures a broad view of a subject from the feet up, aiming to establish context, reveal the environment, or emphasise the relationship between characters and their surroundings., Medium Long Shot (MLS), A shot that frames the subject from the knees up while still showing part of the surrounding environment. This composition balances character detail with spatial context, allowing the audience to observe both the subject’s actions and their relationship to the setting., Mid shot (MS), Captures a subject from the waist up, emphasising the subject's body language and expressions. The purpose is to maintain a balance between the subject and their surroundings, offering a moderate level of detail while preserving a sense of the overall environment., Medium Close Up (MCU), A shot that frames a subject from the chest or shoulders up, allowing for a more intimate view of facial expressions and emphasising emotions or reactions., Big Close Up (BCU), A shot that tightly frames a specific part of the subject, usually the face, filling most or all of the screen. This shot highlights fine details and subtle emotions, creating an intense and intimate connection between the viewer and the subject., Close Up (CU), A shot where the camera tightly frames a subject to capture detailed facial expressions or emphasise a specific object, intensifying emotional engagement and highlighting significant details., Extreme Close Up (ECU), A shot that tightly frames a single feature or detail of a subject, such as the eyes, aiming to intensify emotions, convey intimacy, or emphasise a specific element within the narrative., Bird's Eye View (BEV), A perspective shot taken from directly above the subject, offering a comprehensive view of the scene, often used to convey a sense of scale, geography, or to emphasise the isolation or vulnerability of characters within their surroundings., High Angle (HA), The camera positioned above the subject, aiming down, often to diminish the subject's significance, evoke vulnerability, or provide a unique perspective on the scene, Eye Level (EL), Captured from the perspective of the camera at the height of the characters' eyes and serves to provide a neutral and relatable viewpoint, often fostering a sense of direct engagement and empathy with the audience., Low Angle (LA), The camera positioned below the subject, aiming upward, typically to convey a sense of power, dominance, or importance associated with the subject., Worm's Eye View (WEV), A camera angle positioned extremely low to the ground, looking upward at the subject. This perspective emphasises height, power, and dominance, making the subject appear larger and more imposing within the frame., Dutch Angle (DA), A cinematic technique achieved by tilting the camera at an angle to produce a slanted, off-kilter frame, often used to create a sense of unease, disorientation, or tension in a scene., Over The Shoulder (OTS), A camera angle that frames a subject from behind the shoulder and head of another character, providing the audience with a perspective that enhances spatial relationships and intensifies the viewer's connection to the scene.

Shot Types and Camera Angles

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